LIVE AUDIO / TECHNICAL PRODUCTION / STAGE MANAGEMENT
From planning to showtime.
I’m Kamil Kocon. Through Forneus Technika, I provide stage management, technical production coordination and front-of-house sound engineering.
Based in Poland and available across Europe, I support promoters, producers and artists with concerts, tours and festivals — from the first technical discussions to the final load-out. I can join an established production or help build one from the ground up, bringing in trusted collaborators when the project calls for it.
WHAT I DO
Stage management and technical production, from pre-production to load-out.
01
Stage Management
I manage stage operations at concerts, tours and festivals. That includes soundchecks, changeovers, communication between artists and technical crews, and keeping the running schedule on track. My job is to make sure everyone knows where they need to be, what needs doing and when.
02
Technical Production Coordination
I help turn creative and production requirements into a practical, achievable plan. I support technical planning, logistics and budgeting, while coordinating communication between organisers, suppliers and technical crews.
Having worked in a range of roles, I understand both the organiser’s perspective and the realities faced by the people delivering the show on site.
03
Technical Advancing & Pre-production
I review technical riders, align artist requirements with venue capabilities, develop equipment solutions and coordinate backline requirements.
I aim to resolve as many questions as possible before the artists arrive. Good pre-production means fewer last-minute surprises on show day and more room to focus on the performance itself.
04
FOH Sound Engineering
I mix live shows and tours with a focus on musical character, clarity and a consistent sound throughout the performance.
When working with artists over time, I also help shape and develop their live sound. I care not only about how a band sounds at one show, but how its music translates across venues and acoustic environments.
SELECTED WORK
Stage management, live sound and technical production in practice.
From club shows to major festivals and international tours, every production brings its own challenges. What stays the same is my approach: solid preparation, clear communication and ownership of the job I’ve been trusted to do.
Since 2024
Inside Seaside — Upstage Stage
Stage Management / Technical Advancing / Technical Coordination
Stage management, technical preparation, advancing with artists and on-site stage coordination throughout the Inside Seaside festival. I combine pre-production with day-to-day communication between artists, engineers and crews to keep soundchecks, changeovers and performances running smoothly.
2021–present
Sea You 3city Music Showcase
Technical Coordination / FOH / Monitor Engineering / Stage Management
A long-running collaboration with a showcase celebrating the Tri-City music scene. My responsibilities have spanned technical preparation and coordination, stage operations and live sound engineering.
2026
Męskie Granie — Scena Młodych Radar Polska Stage
Stage Management / Technical Coordination / Technical Advancing
Advancing technical requirements, coordinating production arrangements and managing stage operations. A key part of the role was keeping communication flowing between artists, technical crews and the event production team.
2019–2020
Ryan Karazija (Low Roar Solo)
FOH Engineering / 27 Shows / 2 European Tours / Fly-in Shows
FOH engineering on two European tours comprising 27 shows in total, as well as individual fly-in dates with limited preparation time and no full soundcheck.
Working across changing technical environments meant adapting quickly, collaborating with local crews and delivering a consistent sound from venue to venue.
ONGOING COLLABORATION
The Cassino / Babyhats
FOH Engineering / Live Sound Development
This collaboration includes mixing live performances and developing the artists’ live sound. Working together over time builds an understanding of their music and makes it possible to refine the sound of their shows.
2020–2023
Martin Lange
Audio Technical Production / Monitor Engineering / Backline
I worked with the band from its earliest days. Together with Kuba Alkiewicz, I helped prepare the audio technical production, while also handling monitor engineering and backline. Projects included Męskie Granie, Edison Festival, Stay Wild Festival and RMF MAXX events.
ABOUT ME / FORNEUS TECHNIKA
I know live production from both sides of the stage.
I’m Kamil Kocon, and I’ve worked in live events since 2009. I got my start helping organise events at Liw Castle in Poland. Over time, live music and concert production became the main focus of my work.
Over the years I’ve worked for production and equipment rental companies in a wide range of roles — from stagehand and stage technician to backline technician and sound engineer, and later to company coordination and supervising multiple technical crews across simultaneous productions.
Today I bring that experience together under Forneus Technika. I understand the needs of artists, promoters, engineers and technicians because I’ve worked in many of those roles myself. I tailor my involvement to the project — whether it needs one experienced specialist or coordination across a larger crew.
PREVIOUS COLLABORATIONS
Artists, venues and crews I’ve worked with
Sarsa
2020, 2024–2025 / Backline support for concerts and live music events.
Honorata Skarbek
2017–2018 / Backline technical support at live shows.
Doki 4 (formerly Wydział Remontowy)
2013–2023 / A long-term collaboration covering FOH engineering and technical event coordination. Although my regular involvement has ended, I still occasionally return as an FOH engineer. I maintain a great relationship with the venue team, built on years of trust and collaboration.
Ucho / Podwórko.art
2017–2023 / A long-running collaboration across live sound operations, from audio system preparation and stage setup to FOH and monitor engineering.
B90 / Ulica Elektryków
2022–2023 / Monitor engineering on B90’s main stage and the outdoor stage at Ulica Elektryków. Preparing and operating monitor systems and working directly with artists and production crews during shows.
ArtMusic
2018–2023 / A long-term collaboration with a live event production company, progressing from stage technician to company coordinator. My early work covered equipment preparation, stage operations and FOH and monitor engineering. Later, I took on production planning, crew scheduling and coordination across multiple events.
LET’S TALK
Planning a show, tour or festival?
Need a stage manager, technical advancing support, technical production coordination or an FOH engineer?
Whether you’re putting on a one-off show, a tour or a multi-day festival, we can work out exactly what support you need. I can take ownership of a specific production area or help coordinate a wider scope, drawing on my experience and a network of trusted collaborators.
Tell me about your project.