FORNEUS TECHNIKA / HOW I WORK

A great show starts long before anyone steps on stage.

Successful live event production starts well before the first soundcheck. From technical advancing and liaising with artists to coordinating the stage on show day, I help get the technical details right, keep communication clear and make sure the production runs smoothly.

Live event technical coordination at Red Bull BC One

01 / THE PROCESS

Live event technical coordination in five stages. It all starts with a plan.

01 / STAGE

Initial discussion & scope

I start by understanding the event, its schedule and the production’s needs. Together, we define responsibilities, priorities and how we’ll communicate throughout the project.

02 / STAGE

Technical advance

I review technical riders, production requirements and the venue’s capabilities. I then advance the details with artists and their crews, resolving potential technical issues before they become show-day problems.

03 / STAGE

Pre-production

I bring together the agreed details, schedules and backline requirements, keeping information flowing between artists, production teams and technical crews.

04 / STAGE

On-site delivery

On site, I coordinate my area of responsibility through rehearsals, changeovers and performances. When plans change, I work with the right people to find practical solutions and keep things moving.

05 / STAGE

Production wrap-up

I make sure my assigned work is completed, key information is handed over and load-out runs efficiently whenever it falls within my scope.

02 / SCOPE

Every production needs something different.

I can join at a specific stage: handle technical advancing, manage the stage during an event or support wider technical production coordination. We tailor my involvement to what the project actually needs, without adding unnecessary layers of process.

Clear expectations, accountability and good teamwork come first.

03 / WORKING TOGETHER

Not everything needs to happen on site.

A substantial part of the work can happen remotely, long before the crews arrive. I review technical riders, coordinate details with artists and production teams, prepare documentation and help resolve logistical and technical questions during pre-production.

Depending on the project, I can support pre-production remotely or stay involved through on-site delivery.

04 / GET IN TOUCH

Let’s talk about your production.

Whether you have a confirmed date, a draft schedule or just an idea, tell me where the project stands and what support you need. We’ll work out a practical scope together.